Grail Physics Golden Mean Reveals Dramatic new PHYSICS OF COLOR

3D Origins of COLOR: Golden Mean Fractal Attractor

New and mathematically compelling evidence:

Golden Mean 'Fractal Attractor' (Grail Cup) proves - The Origin of Color:

NEW Physics Evidence for the Dodeca/Tetra Toroidal 3D Geometry of Color...

(with Frank's Platonic Predictor for the Wavelengths of COLOR Formula + Incredible Interactive Java Animation for Physics of COLOR)

with Amazing Implications for Fusion.. Healing...

Implosion Group (originally by Dan Winter) newsletter Mar 26, 07 Main Index: 1 Million hits/month average in 06, Our film library..To Subscribe email to: , To unsubscribe email - Language Index- English, French, Spanish, German, Italian , - SiteSearch , DVD's/Books - Course Calendar - Films Online - HeartTuner/BlissTuner - Origin Alphabets Physics - Stellar Purpose/History of DNA Newest Compleat 400 Image Implosion Powerpoint! - ”Fractality Causes Charge to ACCELERATE! - Since all biologic growth is limited by ability to absorb energy it is self evident the best way to compress that in to nourish biology is FRACTAL! Recursive Feedback=Self Awareness=Fractality. 100 Years of Writing Field Equations, has physics yet investigated whether the same fractal field that causes gravity could also most nourish DNA

Even for black holes in the galactic core - if it's wave symmetry (charge / electric field?) is heterodyne phase conjugate - which becomes visible / measurable as fractality - then it is someBODY's blood.

Here with Frank's breakthrough discovery and proof of what he calls the platonic "wavelength formula" ( ) - also greatly inspired by, and acknowledging Duane Whitlock's "hexadynamic theory" we are happy to present new and dramatic scientific evidence that FRACTALITY and PHASE CONJUGATION by Golden Ratio is the electrical CAUSE of COLOR. In the below we see powerful new evidence of the dodecahedral symmetry both fuelling and "sensing" the PHOTON. This presents us with further proof of the GOLDEN MEAN phase conjugate physics ORIGINS OF COLOR.

I hypothesized originally that fractality optimized by Golden Ratio PHASE CONJUGATION was:

1. the electrical cause of gravity ( - experimentally )

2. the electrical cause of PERCEPTION ( )

3. electrical cause of LIFE / perfected charge distribution ( , ) ,

4. the electrical cause of all healing and self organization ( , )

5. the electrical cause of ENSOULMENT and immortality in DNA ( ).

6. the electrical mechanism of how memory is imploded (KA) out of DNA for successful DEATH ( )

In summary- THE principle behind life force and all self organization is nicely summarized by Golden Ratio perfected- fractality.. and phase conjugation. ( Note especially how the -phase conjugate- PATH into the dodec forms the GRAIL CUP. )

The evidence presented for the above, was that the stellated dodeca (power of golden ratio x,y,z coordinate value to every node infinitely-dodec/icos/dodec/icos....)

The evidence presented for the above was that the stellated dodeca (power of golden ratio x,y,z coordinate value to every node infinitely-dodec/icos/dodec/icos....)

was the essential and proveable symmetry of

= S3 symmetry group of gravity

= the symmetry array of nuclea hadrons (protons and nutrons )

= the symmetry array of the p tetra cube electron orbital inside the d,f - dodec icos electron orbital

= the self similarity of the nucleus to the electrons

= the essential outer symmetry of PALLADIUM - key to cold fusion

= the golden ratio symmetry of hydrogens balmer series spectral emission lines ( Randy Masters)

= the symmetry of the planetary orbitals ( by Phi / platonic nesting )

= the symmetry at the core of DNA

= the symmetry at the core of optical PHASE CONJUGATION / 4 wave mixing:

= the essential symmetry of the vacuum / time space manifold

= the essential symmery of the UNIVERSE

So.. NEW! - Fractal Origin of Color:

(from my original insight): Color is not a 2 dimension wave interaction. Photons (like all waves) travel toroidally (like donuts). The 7 color flow map on the surface of that torus photon - codefines the 7 arrows thru a tetrahedron. This provided a model for how the photon - emerging from compression / fusion (the prism making a rainbow) would sort itself into the 7 tilt angles - which we see below Frank did confirm locked the photon torus into the tetra symmetry WITHIN the dodec. (The Dodeca- to tetra nest angles actually PREDICT COLORS WAVELENGTH! - many images in appendix below). We saw this also in the Hebrew alphabet letters for color.

The problem was that color obviously had a hex -rather than 7-fold -symmetry (3 primary color pairs, hex color wheel etc). Of course the 7 arrow tetra/cube does have a hex view, but if what we said above - is true - than the sorting process that segregates toroidal (donut) photon charge domains into COLOR PERCEPTION - (wave function of the CONE of the EYE? - is it 60 degree phase conjugate Dodec stellating by angle?) must require the DODECA implosion to create color. This then would connect the HEX view of the dodec to the hex view of the cube. (picture of phase conjugate 4 wave mixing above would also have a hex view in both cube and dodec). We discussed many times the 6 symmetry arrows of the dodec/icos plus the 7 of the tetra/cube= 13 pair/26 ZOME system - probable key to string theory.

If correct - then - our 3 dimensional model of COLOR had to predict the 2 dimensional wavelengths of the primary colors - FROM the 3 dimensional tilt or phase angle of the torus PHOTON- and that would have to include to tetra tilt or symmetry or phase angle - IN RELATION to the dodecahedron tilt or symmetry or phase angle.

Frank - in a moment of brilliant insight realized that to prove my hypothesis, COLOR had to reflect the TILT of that tetra cube defined 7strip PHOTON donut - INSIDE the DODECAHEDRON.

Frank points out that the colours we were taught as "emerging from a prism", instead are a tell-tale story of how (biological) light perception works by "intelligent design" (term coined by Duane Whitlock). The rainbow's "covenant between heaven and the Earth" comes to mind.. Frank quotes Duane in that this "platonic rainbow phenomenon" reflects the universal design of creation.

Once he realized that their were only 3 PAIR of differential ANGLES locking the tetra INTO the DODEC (see below) - he had the clue to see that accurately predicted the actual wavelengths of the 3 primary plus 3 secondary COLORS - Amazingly, the secondaries are coded by the tetra's (star tetra) 'MERKABA' complement!! (2nd tetra in cube)


See beautiful physics table below -wave length vs. phase angle tilt.

The implications for optics (phase conjugation), how to pick colors for beauty and healing ( and fusion) - could not be more profound.

Once we apply this insight - we can invent: Color Intelligence. - Algae use Golden Ratio PHASE CONJUGATE- nature of color - to suck in charge from the universal plenum

Truly accurate color mixing - for

beauty - clothing - building design.. (color feng shui)

color healing

proof of perception=phase conjugation

phase conjugate optics

fusion physics

charge absorbtion in DNA- now it appears more than ever significant that while the codons of DNA may nest tetrahedrally, the helix in which they wratchet embed - is a dodecahedron step function. Having learned that color is the result of phase conjugation (implosion) by the TETRA as it fuses IN THE CENTER OF A DODECA- tells us what we must now look for in the symmetry of how DNA is 'lit up' or programmed (absorbs charge).

First a short note about some exciting upcoming events, then Frank's article.. Catch Dan Winter presenting with Henry Lincoln and Jean Luc Robin in South France Grail center, or with John Michell in London, or with Dr James Hurtak/Academy Future Science, - Stephane Cardineau (a world leading geobiologist), Roger Green and 25 International Speakers in Budapest... or come to Barcelona with the Biologic Healers Group Group...

Now- here we present Frank's new article IS COLOR CREATED BY THE DODECA ANGLES? (more complete version with live java instead of gifmations at

Heart Coherence team


a vision of Nature's angles of approach

by Frank van den Bovenkamp

Discovery of accurate (within 2%) correlation of platonic
tilting angles with primary and secondary colour bands makes a strong
case for the role of symmetry operations between 3-D phase-conjugate heterodyne
wave packets in Duane Whitlock's Hexadynamic theory of colours, including
clues to colour empathy and its gravitational connection.




is a name for our archaic memory of how it FELT when charge was approaching
in different angles. We associate "red" with "warm"
and "extrovertive", and "blue" with "cool"
or "introvertive", allthough technically there may be no compelling
reason for it. Maybe we need, to some extend, honour our ancient algae
ancestors for whom "light-empathy" was crucial to survive. Today,
we are blessed with a rich garland of colours, rather than a mere prozaic
gradient of colourless "lightness".
Yet, as we
will see, there may exist a deeper, universal clue to qualified colour
perception, resulting from the pure geometric origin of light perception.

Important references to the subject of colour geometry include Duane
, author of "The Secret of Intelligent Design, who coined
the term "quantum hexadynamics" and who devised a diagram in
which gravity as a long range force is a used in catagorising the primary
and secondary colours; Dan Winter (, long time
proponent of the role of Golden Mean wave recursion in gravitation creation,
who pointed at a possible symmetry clue for colour perception and - at
my suggestion - now includes a closely related type of wave physics for
the "observer" side which is crucial for general "soliton"
(incl. photon) creation. Last but not least Luke Gatto who carried
on a life's mission to unveil some secrets which Newton and Keppler appear
to have hidden. Luke proved a great motivator to work on the exciting
and very profound subject of colour geometry.

Basic geometric and physics concepts

The 3-dimensional platonic symmetry operations facilitating the creation
of photons (generally solitons) and which could provide a physics clue
to the agreed-upon central primary and secondary colours, are not mere
mathematical fancy. These geometries accurately reflect how 3-D spherical
wave systems learned to become sustainable in the (electro-) thermo-dynamic
ocean. This idea has been widely been spread by Dan Winter (
and, with he sheer abundance of examples in nature, art, literature and
sacred geometry, suggests beyond doubt that that Golden Mean ratio based
wave geometries play a crucial role in the creation of gravity and (biological)
life. The scientific name for this process is: heterodyne phase conjugation.
In my paper "Why Phi" (
I demonstrated for the first time how the Golden Mean ratio can be "reverse-calculated"
based on a small set of fundamental wave physics equations. This paper
also shows, by means of spectrum analysis of scale-invariant recursive
heterodyne waves, that it creates fractally organised frequency patterns.
Further, the paper gives a numerical proof of Golden Mean emergence (and
other crucial ratio's) and briefly touches the subject of phase-conjugate
heterodyning in soliton creation. This serves as pure geometric departure
point for photon creation and a crucial part of the physics of colour
empathy as discussed here.

What on Earth has gravity to do with colour perception?

Duane Whitlock came forward with the rather puzzling idea that gravity
(one of the long range forces in the universe) plays a key role in understanding
why colour perception is systematically organized. This paper greatly
honours Duane's - truly colourful - perspective, but instead of plugging
in "gravity" as the literal denominator for a specific colour,
it is shown that the very same principle which creates gravity
(as promoted by Dan Winter) is also responsible for the creation of the
specific colour map as we perceive it.

The capacity of colour discrimination has both, as we say, a "subjective"
and an "objective" aspect. In other words: there exist certain
dedicated light frequency bands which for some reason pop-out of the complete
spectrum, so that we feel compelled to give them unique names. This is
so much an all-day phenomenon that we don't realise that from a standard
physics point of view there exist no clue for systematic colour perception
whatsoever. Definitely, the receptacles in our eye's retina (the "cone
cell" light receptors) are NOT the cause. So it must be something
created by our brain. In this paper we look at the universal principles
employed by the brain which are the underlying cause of colour
geometry. The "objective" or measurable aspect of colour geometry
is well illustrated by how we can create the secondary colours, by mixing

Yet, our system of colour geometry as we will see does not quite digress from Duane Whitlock's original viewpoint, as it is still shown that the principle which creates gravity, is more predominant in the creation of "blue" perception, the way he intuited, than it is in the other colours.

"primary" and "secondary"
colours in different techniques

printer's "primary colours" are (translucent) Cyan - Magenta
- Yellow, with subtractive pigment mixing create all other
colours; demonstrated here using a Photoshop filter only, quite
accurate blue, red and green initial colours are created. Also,
in subtractive mixing, two opposite colours like yellow and blue,
always result in black..

A projector's or (TV-) monitor's primary colours are Red - Green
- Blue, additively mixed like the RGB- monitor you are now
looking at. The initially created colours cyan, magenta and yellow
are digitally exact. Adding two opposite colours, like blue and
yellow, creates white.

"water paint" type mixing is also a subtractive process.
Therefore, the common idea that "red + blue = purple",
"red + yellow = orange" and "blue + yellow = green"
is not precisely true. Mixing the pure primary colours RYB subtractively
would result in red, black and black resp. Above example using light
cyanish-blue and light red instead yields a useable result.

From platonics to colours: Nature's angle of approach

In the science of geometric (hexadynamic..) colour coding, colours
are frequency (resp. energy) related in the standard sense, but also follow
a fundamental principle of colour partitioning, which is employed by the
brain when it systematically engages in a vivid (vital) response to incoming

Geometric colour theory proposes a new and fundamental description of
colour generation based on 3-D heterodyne phase-conjugate physics and
reveils a universal cause of colour empathy. The (photon) frequency resp.
energy is not actually stored in the incoming photon itself, but is, per
octave, determined by its tilting angle relative to its propagation angle,
and from there, relative to the tilting angle of a receiving solition
(i.e. cones in the retina, etc..). The propagation angle falls out of
the equation and thus the (energy) coupling between the incoming photon
and the receiver soliton, is a net function of their differential angle.
This encodes the perceived photon's energy and thus its wavelength, and,
biologically, its colour identity.

3 Primary colours are created by the 3 relative tilting angles of
the primary tetra, controlling the toroid, in a dodec. These colours (psychologically)
have an activating, or accelerating effect. The complete hexadynamic geometry
of colour coding is based on the fact that the toroid if oriRnted
by the tetra's "merkaba" complement, makes different angles
with the dodec. This creates the 3 secondary colours, which have a rather
calming or inhibiting effect.

12 pentagonal oriRntations
or the primary tetra in the dodec encode three primary differential
angles (P1, P2, P3) - circle is top view of toroid
12 lateral oriRntations of
the secondary tetra encode three secondary differential angles plus
two tertiary angles (L1, L2, L3 resp. T1, T2)

Now, the simplest way to find the three primary angles or colours is by rotating the primary tetra, along with its toroid, 120° over any of its vertex axes. This way, 3 primary angles can be found. To find the 3 other angles, rotate the tetra one time 90° over any of its orthogonal axes, and then again 120° over any of its vertex axes. This will generate all the geometric angles. Let's first play with a simple 2-D example.

Refer here to the original article for a helpful interactive - 2D javamation-to start your understanding of color as photons tilting torus.

In the real 3-D world this is a bit more difficult. A convenient solution is to correctly animate the 3-D platonic rotation to automatically scroll along all the geometric fits. This is how below animations work. But first some references and backgrounds on colour theory.

Duane Whitlocks model, as well as the geometric solution,

in fact are based on the same "colour wheel" of primary and

secondary colours as has been intuited by artists of all times..

Reference colours and wavelenghts; CIE
- Chromaticity Diagram




Below gallery of platonically nudged relative tiltings is only a tool to gain insight and memorize the primary, secondary and tertiary tilting angles. The oblique view of the dodec is just helpful but has otherwise no specific meaning. Top left is an animation, where the rainbow toroid is represented by its circumference only, along with the circumference of the Dodec's toroid. The challenge is: try to REPRODUCE the colour-coding platonic tilting angles, using your mouse to control the animation. Please note that most tilting angles in the gallery are skewed (except P1 and L2) as a result of the tilted viewing point. ... (Note: below are gifmations only, for real interactive (throwable) Java see link: )

(note particularly in the Java interactive animation - the Red arrow-from the torus - phase locked to the tetra - rotates separately from the blue arrow

How the spectrum for the animated "colour donut" was created

The spectrum is mapped, starting from the centre, 360 degrees around the toroidal circumference, from red (700 nm) to the higher octave "ultra red" (350 nm) with green (apprx. 525 nm) at the equator. Curiously, the spectrum progress "c" is naturally proportional to the relative tilting angle "a" as per given formula. Therefore, a 180 degrees tilting range precisely and proportionally covers the 360 degrees spectrum ring.




Duane Whitlock's publisher was probably lacking the facilities
to put anything on paper beyond the capacity of a mechanical type writer,
which has not quite created the Vantage point one might expect for such
an exceptional work. So here we present - free of charge - Duane's model
of intelligent design as reflected in Nature's true design of the visible
spectrum, and which according to Duane, applies throughout the electromagnetic
spectrum and in all of Creation:

Duane's key point is that the standard idea that colours
are linearly created by frequencies is totally mistaken, and should be
replaced by what he calls a universal "hexa-dynamic" intelligent
design. It is a part of physics subtler than matter and energy, but having
a profound impact on creation, especially of life. It explains the
reason why the colours coming out of a prism existed only in Sir Isaac's
. This could be the subtitle for the splash art at the top! One
main aspect of hexa-dynamic theory is reflected in the way primary colours
mix to form secondaries. One critical note here though: Duane in wrong,
or rather inaccurate to state that "blue" and "yellow"
"additively" mix to form green. This is incorrect, and applies
only to - litterally - mixing water paint colours, using a lighter, cyanish
blue (I vividly recollect the moment my art teacher told me..), i.e. closer
to the cyan used in subtractive mixing for printing. The possible culprit(s)
are seen in above "Origin of Colour" graph: two "extra"
platonic angles and their corrsponding wavelengths, which are called tertiary
T1 (yellow-green) and T2 (cyan) in this system. Dragging the hue of blue
a bit in the direction of cyan will turn the mix from black into (dark)
green. Clear green however cannot be created, as with pure substractive
mixing (cyan + yellow). So clearly, allthough the complete 180"
geometric spectrum as a whole is perfectly symmetrical around 90"
/ 530nm / green, its system of primary (resp. secondary) colours is definitely
not (and neither is the human visible part of it..).
Nevertheless Duane's system is perfectly in order with the platonic tilting angles of geometric colour code. It can be conjectured that species who see into the "IR" (snakes) or "UV" (bees) actually may see colours unknown to man, but only insofar the small dark band (from 135 degrees / 350nm / violet to 180 degrees/ 350 nm / ???) resp. its lower octave are added.

ref: The Search for Intelligent Design, Duane Whitlock,
Vantage Press, Inc. New York



Below is meant for discussion and anticipates further work ref.

Hypotheses / Discussion:

The photon is the elementary model of how phase-conjugate heterodyning
transforms itself into (resp. facilitates) a sustainable charge domain
(term coined by Dan) and from there into matter. The physical model and
the functional model of the photon are given in below diagrams; the functional
model can be applied on all scales, i.e. for all unitary phenomena (which
are essentially alife) - atoms, dna, cells, organisms, ecosystems, planetary
systems, galaxies.

Above sections on colour perception should be interpreted, not as a "subjective"
phenomenon, but as real physics which can lead to what is called "subjective",
and which is really a combination of life force and focussed awareness.
Also quoting Duane Whitlock, this can give a profound insight in general
creation physics, especially including electro-fractal gravity creation
as promoted by Dan Winter.

It is a well-known fact that solitions keep themselves alife with help
of non-linear effects. This idea is expanded into a more universal, as
well as precise model of how a time-space wave is defined by the alternating
charge (-"inertia" - DW) exchange between Phi based (charge-distributive)
and Octave (charge correlative) based phase-conjugation
. The charge-management
of these complementary effects are beautifully seen in the Fractal Synth
software so called heterodyne power scan (download Fractal Synthesizer
here). One could also
argue that a photon is the transition between stillness and dynamics.

Below included is a picture of Luke Gatto's visionary dream, in which
he saw two pentacles aligned in an unusual way. This vision was extremely
helpfull and appropriate in finding the uique geometric colour code as
described here. However the "double inversion" could be interpreted
in different ways. Firstly, it shows that, allthough we cleary adhere
to a universal principle of "observer physisc" (term coined
by Douglass White -,
in order to account for actual individual perception, an actual biological
observer must exist. This creates a "double inversion" in the
sense that there is an interaction between two complete "system"
(the universe and the biological observer) who both have their own Phi-
resp. Octave physics on board. This alone will solve a huge lot of philosophical
and cognitive theory problems, and I believe this is the spirit in which
Luke received his vision. Another interpretation is the purely physics double inversion of 1) going through the Planck scale wormhole between Octave and Phi phase-conjugate systems, and 2) going from sub-luminal ("matter") to super-luminal ("spirit").

This takes us back to the functional and physical models of the photon
(see below diagrams), as the initial physical manifestation of these combined

Further, a unique inter-digitation between the tetra's symmetry axes and an "ideal" is reprinted below. This I discovered a few years ago inspired by Dan's alphabet work. That time I discriminated the 7 "flame-strip" (electro-hydro-dynamic flux paths) as colours (,
but this would confuse above colour physics - hence only gradients are
used here.

"Double Inversion" meta-stable functional diagram

Showing inversion through, or rather upon the planck scale
(perceptive angle)
PLUS inversion through light speed (creational
- note how precisely this principle was philosophically
captured by the ancient swastika symbol alone; this is the "essence
format", whereas the 45 deg. tilted form evokes the "demons"
of natural forces: this is the "control format" as history
has taught us.

The meta-stable "loop" of (subtle) charge circulation
is easily visualised by how the very same principle works on a big
scale like in an eco-system. In a community of for example rabbits
and fox, their mutual emotions have been coherently synergized
in the course of evolution and this created the vitality of the
ecosystem. Next, the vitality of the ecosystem creates inner dynamism
and chaos. The rabbits and fox both have to be focussed in order
to stay alife, and they do so by coherently analyzing their
environment using their brain, senses and motor organs (pattern-recognition).
The result of this part of the game is that emotions are created,
and these emotions again need to be synergized for the whole system
to survive, and so forth.

Another, purely mechanical example is an orbital movement. In the
(bulk-) mechanical world, that "stuff" which gets fractally-recursive
synergized by Golden Mean is mathematically identical to pure acceleration.
Unlike position and speed, acceleration is an absolute quantity.
Measured by a standard of time and space, the result is a conceptual
feeling of gravity and inertia. The very same acceleration, recognized
by a sequentially-(repetitive-) recursive pattern, takes the form
of the (elliptical) shape plus rhythm of an orbit. The result of
this operation is substantial perception, which is by all means
a biological phenomenon, and this creates a conceptual feeling of
time and space as a medium. The status quo of the natural world
is that in the arena where gravity is relevant, electro-magnetic
energy is completely locked up in thermo-dynamics, so there is no
question of any other electro-magnetic function oher than keeping
bulk matter relatively statically together. The way around, in the
micro-cosmic arena, gravity has no constructive creative effect
other than keeping objects relatively statically together. Both
extremes are however not alltogether unconnected, as in the natural
world ecosystems (incl. sentient civilisations) effectively mediate
between micro-cosm and macro-cosm. In my opinion, and I believe
I'm quoting Dan here, technical electro-gravity can only exist if
it is accepted that it sucks vital energy from its environment.

Summarizing, the Phi- resp. octave recursive heterodying phase-conjugate
principles provide complementary pathways out of chaos. In terms
of dynamical systems theory, the process of cohering unit emotions
(resp. inertia) is a synergetic, fractally (or hierarchically)
principle, non-linearly optimized by Golden Mean ratio
(Phi). The process of cohering energy is an analytical, sequentially
principle optimized by octave ratio. This is reflected
e.g. in population curves. Phi recursion is mostly measured indirectly
as fractal components, whereas octave recursion is measured indirectly
as rhythmic components.

A major difference with general systems theory is that coherent
(neg-entropic) wave systems are considered carrying actual content
of resp. vital force or unit momentum, i.e. relative to their ultimate
material effect. This in particlar allows to define a meaningfull
(emerging) meta-stable life cycle.

As every unit living system is considered a soliton phenomenon,
it is conjectured that the very same principles work on any level,
even in the pure "vacuum" and can thus be used to teach
the functional- and physics diagrams of photon emergence:

Cross section of 3-D toroid soliton (photon) showing the functional
principles manifest as physical realities:

A: The central thruster effect is the creation through fractal
, and the initial release of

distributive pure energy by the Phi recursive phase-conjugate arena
(life force);

B: The circumferential momentum (B) is the creation through
sequential recursion, and the initial release of individual
focussed inertia (cosmic) or emotion (psychologically) by the octave
recursive phase-conjugate matrix;

A': The centrifugal movement is the gradual transmutation
("reduction") of life force into expressed (electro-)
thermo- dynamics;

B': The centripetal movement is the gradual transmutation
("reduction") of focussed awareness into expressed inertia
(resp. emotion)

The "grip" which the octave (i.e. tetra / cube-octa)
matrix has on the toroidal charge domain, when the toroidal and
rotational flux are in balance
, is illustrated by the interdigitation
physics as in the following animation:

Note: above is gifmation only, for real interactive (throwable) Java see link:

Luke Gatto's vision interpreted

(Luke never mentioned the tetra's but later said they were also there..!)


The physics of soliton emergence explained with help of the Fractal
Synth power scan -

Phi ratio recursive heterodyning creates distributive energy, whereas
octave recursive

heterodyning creates (individual) focus - both principles can work
together at

scales from belligerence (vacuum energy), to basic equilibrium (photons),
to advanced

mutual concommittance (evolved life)


effect = alternating

effect = gradient







/ cool

/ cool



/ warm

/ warm

An Arch of Angles - a platonic relationship or a covenant

between Heaven and the Earth
..? (end of Frank's article)

Here now we reprint -the conclusion of- ) - exerpts from Dan Winter:

true 3 DIMENSIONAL - origin of COLOR: (photon like the electron as a TOROIDAL slipknot of CHARGE)

-The perception of colors was DISCONTINUOUS or 'catastrophy theory' with respect to the continuum of frequencies?

-A continuum of photons enters the prism- but then (implosive compression?) somehow sorts them into (phase conjugation by fractality?) DISCONTINUUS color bands?

Why is the color wheel - 3 primary pair - a HEX wheel, yet everyone talks about SEVEN colors of the RAINBOW?

Why is RED centripedal (atom/adom=shadow of that photon phase tilt in HEBREW means RED and TO MAKE HARD or compress) vs BLUE CENTRIFUGAL / unpacking?

Is it because one side of the torus photon hydrodynamically more centripedal with charge flux than the other??

See below the 13 axis of symmetry,-26 holes in this zome system/connector= 7 axes of tetra/cube + 6 symmetry axes of dodec/icos > predicting the hex vs 7 color map - TRUE 3 DIMENSIONAL ORIGIN OF COLOR : Non-destructive approach angles to the PHOTON as the SURFACE OF A TORUS. - Cones (in retina) in wave theory - can ONLY measure phase angle! The photon does not exist in flatland- it is a toroidal slipknot - so if the photon is not 2 dimensional, then certainly color CANNOT JUST be frequency - but rather the frequency 440-880 angstroms of the visible color spectrum is more likely the shadow in 2d (octave cross section?) of the DONUT PHOTON in 3d!

Color perception evolved with biological need. Ancient Hebrews could not perceive BLUE and so had no word for it. The Hebrew alphabet -genetics intervention software from alpha draconis predicted RED -adom - was centripedal: to MAKE HARD- because RED / ADOM is the proper angle of the Golden Spiral on the {photon?} donut whose shadow IS that Hebrew LETTER - Aleph - used to make their word RED.

This was more than just evolution climbing a 2 dimensional ladder of higher FREQUENCY - this was evolution climbing a 3 dimensional TREE OF LIFE.

Notice how the shadow of the tetra cube - as it embeds into the Dodeca (called 'tree of life') is PRECISELY the apparent symmetry principle of the photon as torus sorting its phases into 3D to become THE ORIGIN OF COLOR!

ONE important principle here - establishes

- the origin of ALPHABETS - which is the index of charge domain tilt angles which can be swallowed non-destructively into the braiding + therefore programming of DNA,

<tetra / 4codon based 7 axial Hebrew DNA symmetry vs superset - ensouled dodec arabic/ophanic/Greek DNA 'alphabet'>

Compare the origin of alphbets (in DNA charge absorbtion indexing) versus the origin of the electron (right) - now we must consider -IS THIS ALSO THE FLOW SYMMETRY OF THE SURFACE OF THE PHOTON /TORUS? Below - after I gave him my equations for modeling the origin of the alphabet based on the golden spiral mapped on the torus (below) - Richard Gautier - produced his slip knot model of the electron (right) -

How to model the 3D origins of the Electron AND the Photon? - Golden Spiral maps the surface of a torus.


My original mathematic solution to map the Golden Spiral path (of charge?) on the surface of the torus - applied to the electron..

compare (left) with Dan Winter's (right)

Compare to Lynn Clair Denise (another near death vision of the universal slip knot) - Animation left by rwgray Pattern

ref- Lynnclaire Dennis - The author has a near-death experience and discovers "the Pattern" of all life and love.


: >We compare this to - Origin of alphabets -similar spin path because this alphabet of symmetry is the language of creation?

It is important to recognize this basic structure: the 3D Golden Spiral topo mapped on and precessing around - the torus donut-

forming the basic building blocks of all creation - from the electron .. (proton?)

to - as theosophy said - the ANU - whose 5 spin inside, 7 outside - slip knot forms the symmetry recipe for the heart of hydrogen (3 Anu per quark), the heart of the human, and (as the same clairvoyants saw who contributed to the physics of the quark)- the heart of the Sun:

How the Anu (compare to electron slip knot -vs photon as slip knot torus model below).. was originally triangulated into the quark physics(see book:"Psi Perception of Quarks"):

- the origin of COLOR PERCEPTION in 3D,

- the origin of the KHEM (black hole access) in CHEMistry, alKHEMY (all bonding ionic and covalent is simply field effect phase locking by symmetry indexing) ,

- and finally: stellar black hole formation .. see How Galaxies Collide - also uses this language of phase conjugation at the core

Thanks also to Frank for building this photon's surface flow model to confirm my original hypothesis that the PURE GEOMETRIC ORIGIN OF COLOR - was the hydrodynamic charge flow on the surface of the photon. The photon, being a torus donut could receive and propagate charge only from the 6 pair (dodec/icos) and 7 pair (tetra /cube) symmetry axis of the zome (13 pair = 26 holes).

The next section on pure geometric origin of color is exerpted from (the 'color' of DNA's programming BRAID!!)- it also references Frank's ( -

(See how the flow forms from the self organizing toroidal - decaying into the 7 smaller donuts exactly arranged at the 7 spins of the tetra- origin of rainbow (tetra IN dodec), heart muscle, anu, hebrew - and string theory)

we can further say..

If we were to track the inertia storage of the photons toroidal surface as it approached the center of a phase conjugate mirror (this is from my kundalini) - we would see the propagation of charge from that point of implosion - would be in TWO separate symmetry sets. First would be the charge conserving - 7 symmetry arrows of the tetra(inCUBEation), but ALSO the more distributive component (and probably superluminal) of that charge inertia propagation direction set- would be the 6 axes spin pairs of the icos dodeca. SO the TOTAL number of progation directions (phase angles) tilts of the PHOTON DONUT - called COLOR - would be the 6+7 = 13 spin pairs. This is exactly WHY there are 13 pair , 26 holes in the ZOME symmetry - rhombi-icos (animation / film / kit : ). Michael Heleus kindly suggested this is why the superstring theory discovered they had to add 2 to the 24 pair to make it 26. In Kaku's book Hyperspace, the original 24 dimensions were complemented to 26. So instead of a 24 dimension 'Leech Lattice' string many physicists describe 26 ( VoDou Physics D4-D5-E6-E7-E8 26-dim String Theory describes Generalized Bohm Quantum Theory with NonLinear Back- ... Therefore, we need to ask: How Large are those other 24 dimensions? , Octonion Products ... we do bosonic string theory in 26 dimensions on R^26 modulo the 26-dimensional even ... The Euclidean lattices in 8, 16, and 24 dimensions have Lorentz )

Could there be ANY other reason for the 26 'dimensions' of string theory - than the full complement of possible non-destructive symmetry approaches to a sphere being exactly the 6 pair of dodec/icos, plus the 7 pair of tetra symmetries=13 pair = exactly 26 'ZOMES'!? We suggest here that there is no more electrically testable meaning of the word 'dimension', than reference to the NUMBER of axes of spin symmetry which are NON-destructively superposed in a rotating (inertial) system.

If the photon is traveling as a flux donut toroid (as all fields must) , then of course the distribution of inertia which allows it to emerge from compression / phase conjugation / implosion (in a prism for example) -called the ORIGIN OF COLOR - would of course be the sorting into THOSE TOUCH PERMISSIVE PHASE ANGLES (called - the '7 colors of the rainbow' and the HEX primary color wheel pairs). Remember- calling color only a wave length makes the self evidently WRONG assumption that photons are 2 dimensional. Color's wavelength we suggest is related to the 2 dimensional splash diameter made by a 3d donut photon as it lands on the cone of the eye. (Suggesting possibly the width to height ratio of the photon is related to the approximate octave 440-880 angstroms defining the visible spectrum). Cones (the ONLY place color is perceived in the retina - a rod cannot ) are ONLY used as antenna in wave theory where PHASE ANGLE needs to be measured.

Note below as well - the way color temperature (red = warm, blue = cool, green = balance) as named in for example the Hebrew word for red (=adom=adam=to make hard= that phase angle of the spiral on donut=aleph) - means to MAKE HARD. Thus confirming that red is in fact the CENTRIPEDAL side of the photons approach. Whereas BLUE means to make wet, or to unpack - or make cool - which is the CENTRIFUGAL side of approach (to the eyes cone) of the same photon. Green the approach vector or photon 3d phase - used by photosynthesis - is the angle from the side approach which is neither centrifugal or pedal. (The empathy / healing / stasis color).

See the closup pic of zome - 13/26 - holes in the 'rhombi-icosa' zome connector ball below right.

anim of sunclr-6/12 vortex pair - makes implosion -

PLUS the 7 arrows thru tetra cube= complete angular complement for fusion..(13 pair, 26 zome system).

This is the real solution to fusion- a summation of charge's converging in precise PHASE with this 13/26 zome system.

Remember color is phase angle of the 3d photon as torus - whose splash diameter on the cone of the eye=color's 2d wavelength (cones in wave antenna theory can only measure phase angle)

7 arrows thru tetra in zome left, add 6 more for dodec icos..-total 13 pairs, 26 holes.

--color pics

Note- Frank changed the tetra 7 region map on the torus - to shades- indicating that the origin of color was more dictated by the ANGLE OF THE TETRA INTO THE DODECA. Note also that the 7 spin tetra DID define and lock (codefine) the phase angle of the photon torus inside the tetra.

The true physics of the origin of color + the frequency of the colors in the rainbow-

is in fact that the photon is donut shaped and its self organizing symmetry is generated by the maximization of all possible symmetries which is the tetra - LOCKED by the phase tilt which is COLOR - into the (Golden Ratio) DODECAHEDRON.

Predicting how DNA's codons are arranged, and absorb charge - and WHY this IS the origin of the Hebrew Alphabet..

Why color has a hex wheel, superposed on tetra's 7 spin map..

Color heals- by frequency ratio in the phase angle - producing phase conjugation perfected

see 7 spins... franks 7 arrows animation each tetra arrow of symmetry

touches separate REGIONS on the 7 region moebius on donut

Then by adding the SIX axis thru the dodec/ icos (13 total)

we can

predict which frequency ratio - would create tru optical phase conjugation ( implosive / log phi)

That would make fractal // implosive / healing color recipe??

The correct (implosive / phase conjugate ) ratio between color frequencies WOULD produce recursive implosion in color, and therefore healing

Related animation:

analogous to stefan cardineaux , ( ) science of real phase angles of color:


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Anon's picture
Member since:
4 May 2004
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9 years 48 weeks

Your posting is fascinating, as always. However, you may be one of only one genii (geniuses) who post here. Therefore, I need some help in understanding how to practically apply this color theory to activate the 'junk' DNA in the human body. (DNA/DAN -- aptly named.) If Francis Crick’s explanation has anything to it, then it’s possible that DNA carries more than just genetic instructions. We don't know what 97% of DNA does - scientists call it 'junk DNA'. It may be that there's some kind of message, or even a vast archive of messages, inscribed on these supposedly redundant stretches of DNA It may be that this web of 'junk' DNA acts as an internal internet to receive information. Back to you, Dan.

dan winter's picture
Member since:
20 May 2006
Last activity:
9 years 9 weeks

online at

Your question of how DNA absorbs charge - by symmetry (colors phases) the RIGHT one. We discussed at length the need to stop using the term 'junk' DNA - at There we suggest that physics must learn that proteins which did not seem to be coding replication- serve a critical and hitherto unknown function which is SPATIAL ALIGNMENT - essential to BRAIDING. This allows the ELECTRICAL FIELD GENERATING FUNCTION of DNA to work ( recursive nesting - provides the piezoelectric cross frequency gravity making implosion). So the same angles ( see origin of alphabet - ) which push charge constructively into the DNA braid process- permit implosive recursive braiding - AND charge absorption. THis results in the immortalizing BLISS PROCESS..
history at

Has anyone else explained Gariev's measurements of the electrical phantom and black hole like phenomenon in DNA?

Practically this sets new symmetry language (fractal fusion) to allow us to know what electric fields will cause DNA to NEVER DECAY.

See precisely how disease ends measureably in FRACTAL FIELDS
(examples: redox potential measure, cell care-negative ion wind ..)
This is the physics behind the word shem / dolmen / - the capacitors which made an electric field (garden of eden) which prevents cellular aging.

Our physics is STUPID to not know that only fractal fields sustain DNA growth - because only fractality perfects charge compression and therefore efficient charge distribution - which is the (holy grail) DEFINITION of life!!!

(no need to call me a genius - it is obvious - fractality perfects distribution of charge.. but it IS ok to call this planets biophysicists IDIOTS - because they are.

If they can't define LIFE in electric symmetry terms- then FIRE the stupid LIFE scientists - because they are robbing all of life.

The holy grail is simply how field effects when fractal like a rose - MAKE life itself. No mystery here. Just stupid 'scientists'.

dan winter

Anon's picture
Member since:
4 May 2004
Last activity:
9 years 48 weeks

. . . would have been an acceptable response. Dan, I get mixed signals from you (implosive and explosive). You are one of only a handful of people who can save this planet. In fact, there is a TV series about you – it’s called “Heroes”. Your character is the one who understands that you have to “Save the Cheerleader” to “Save the World”. To be succinct, unless you target the wealth of info on your site to a 13-year old cheerleader with ADD; your ego wins, but the planet will be lost. Please understand, I don’t put the planet’s demise solely on your shoulders – I’m just as guilty having inadvertently created numerous wormholes/tears in the fabric of time by spinning a simple copper dodec under a tree (with seemingly good intentions; but who knows, it may have been irresponsibly done without proper training).

The info you’ve developed is essential to all of humanity. To get it disseminated as quickly as possible, you must ‘dumb it down’. As an educator, I never thought I would say that, but we’re under deadline, as you know. It’s the 13 year old ADDs who will most easily find your site – not his or her parents who are zoning in front of the TV after a hard day at work, or playing computer games to escape the knowledge that they will never be able to connect with their ADD child. But the 13-year-old won’t stay on your site long enough to benefit because the site is too convoluted with redundant info and links backwards and to who knows where. It must be made to be more ADD-friendly.

Don’t be another Rambaldi or Tesla – brilliant but not smart enough to work the system, and as a result, buried by historians. As you know, there is a tremendous amount riding on your work – please do not let yourself be distracted (taken out of ecstasy) by all the 'stupid scientists'. That is exactly what they want. Those few who do understand your formulas are doing little to help create a “tipping point”, which is needed. It's not solely their fault because that is not something they know how to do. The solution is with the children. You know that on some level. So start practicing the ‘dumbing down” approach on me by answering the question: “How does one learn to fabricate the truly compressible and therefore shareable wave structures?”

I’ll give you an honest appraisal as to how successful you are. If you can’t or choose not to do this, I’ll understand because it will be very difficult to condense your philosophy into the rhetoric of a 6 year old (which is where the learning must start). I will still admire you for all you have done. But you can do it.

plw12752anderson's picture
Member since:
1 May 2004
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9 years 18 weeks

Dear Anon, You may have seen this but I'll post it anyway. Meditation instructions are there on that page. Through mercy to self the conflict of frustration begins to end and in it's place the creation of compassionate patience for all. Love, Pam

Gain knowledge and love compassionately -----------------------------Truth is stranger than fiction.

Anon's picture
Member since:
4 May 2004
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9 years 48 weeks

That link was helpful.

Kathrinn's picture
Member since:
10 August 2004
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2 years 43 weeks

With all due respect - whereas your post may be all very interesting, would it not have been more appropriate for you to post a link for us to access than to dump it all here? Such a large amount of stuff makes it hard to reach the comments. Just a personal thought and others may not agree with me.

Regards, Kathrinn

earthling's picture
Member since:
22 November 2004
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3 hours 27 min

I agree with Kathrinn on this one. It is usually better to post a summary and, and a link for those interested in all the details.

Failure is not an option -- it comes bundled with Windows

plw12752anderson's picture
Member since:
1 May 2004
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9 years 18 weeks


Meru Foundation is offering substantial rewards and "finders' fees" for information that leads to the collection of the $140,000 in court costs and interest owed to it by Mr. Daniel E. Winter.

If you have done business with Mr. Winter, or have information with regard to his business and/or business partners, please contact for further information.


Meru Foundation is also accumulating evidence for possible future legal action (US and world-wide) with regard to Mr. Winter's (and those acting with and for him) new plagiarism and disparagement. If you have purchased copies of Mr. Winter's illicit works, if you have attended presentations by Mr. Winter, or those working with and for him, or if you have other first-hand knowledge or physical evidence of the new -- and quite obvious -- works of plagiarism and disparagement, please contact

Excerpts of letter

Dear Friends, has been transferred to the Plaintiffs, Stanley and Cynthia Tenen and Meru Foundation, by order of Hon. Judge Charles J. Siragusa, of the US Federal District Court for the Western District of New York in Rochester.

The Court has taken this action because Mr. Winter has refused to respond to the Court. He has refused to show up for hearings, for depositions, and to show cause why he should not continue to be held in contempt of court for his many violations of the Court's orders. This is not a matter of censorship. There is an arrest warrant for Mr. Winter filed with the United States Federal Marshals' Service, and he is a fugitive. It is the Court's way of using its discretionary powers to encourage Mr. Winter to appear in Court in the United States, and for deposition, as he has been ordered to do. The idea is to get Mr. Winter's attention, not to censor him.


We are planning to address Mr. Winter in an open letter, to be posted here in the near future. In the meantime, we ask all of those who are interested in the ideas that have brought them to this site to read the index and summaries listed below. It is very important that everyone understand the most important issue is not a matter of property, or slander. Nor is it a matter of Mr. Winter's admitted plagiarism, and willful and malicious behavior. The most important issue is that the materials presented by Mr. Winter are not only taken from the works of others, but that he is deliberately misrepresenting those works. In other words, social, political, personal, and legal issues aside, the materials presented by Mr. Winter are bogus. Mr. Winter actually bragged -- when he was first confronted about his lying -- that he knew that what he was presenting (particularly with regard to the golden mean and the golden spiral) was untrue, but that his audiences -- in his words -- were "too stupid to know the difference."

This is the reason why you should consider informing yourself about the facts. The problem is not that Mr. Winter is selling stolen goods. That is a problem, but it's not the worst problem. The problem is that when you open the metaphoric box of ideas that Mr. Winter is always advertising, the box is empty, or full of things that are untrue. Mr. Winter is not "liberating secrets". It is as if he is selling stolen cars that don't even have engines. (Metaphorically, of course -- thankfully, Mr. Winter is not actually selling cars. )

Also, by admitting -- bragging -- that "my audiences are too stupid to know the difference," Mr. Winter is expressing contempt for his own audiences. This is not science. This is quackery. Mr. Winter has no credentials. He has no publications. He has no colleagues. His representations of accomplishments are false, and his reputation is that of a con artist. Mr. Winter's victims are his audience. That is why he has such contempt for his audience. This is why honest, caring people who are interested in the topics Mr. Winter discusses should turn their backs on him, and go instead to the honestly-presented original sources of the research.

For further information and documentation -----------------------------Truth is stranger than fiction.

Anon's picture
Member since:
4 May 2004
Last activity:
9 years 48 weeks

How is Dan’s distribution of this work a crime? It is public domain information by now -- it has been available since Rambaldi’s time, and perpetuated through daVinci, et al. This is too much like the Dan Brown suit – fruitless, except that it made more money for Brown ultimately. The Meru Foundation, i.e., Stan Tenen, doesn’t want people to know all the facts either. Obviously, the material Winter presents is not bogus or the Meru Foundation would not be so persistent in his pursuit – it’s been several years now – the man is like Zorro to have evaded them this long. As Mike Rivero puts it: “Truth needs no laws to support it. Truth is self-evident and able to withstand examination”

Winter is disseminating important information – Tenen is bogarting that same information (information which came from the Gnostics in the first place). It’s a tangled web alright, but remember to question the detractors – what is their ultimate goal? Only the desperate resort to defamation. Winter was not expressing contempt for his audience – frustration perhaps because most don’t understand physics. But why are you so ready to believe that Winter even said such a thing? Or that the quote was not taken out of context? Both are tools of the desperate. Regardless of what the legal system says, what does your intuition say about this issue?

plw12752anderson's picture
Member since:
1 May 2004
Last activity:
9 years 18 weeks

There are two sides to the information. Mr. Tenen had the information, then Mr. Winter used it without citation. The case found Mr. Winter at fault.

If you Anon, wrote something, worked hard on it and published it, then someone came along and put it out there into the public as work they had done and not you, what would you do? Does this help you understand Mr. Tenen's position?

What I believe or don't believe is not the issue. This has been a long ongoing ordeal. Probably both parties will not be satisfied. I came across the Stan Tenen and Dan Winter debate so long ago that I had thought by now it was settled, but apparently not by what the website was showing. Despite one's sincerity or belief there is the law to contend with. On that point Mr. Winter has to deal with his crime. He has not done so. Plain and simple.

I can see where both individuals are coming from. The information they are attempting to convey and the money each is trying to make in order to have a career that can sustain them financially.

One of the first links I ever posted on TDG was San Graal. That was many years ago. So, I hope that Mr. Winter will be honorable and simply pay Mr. Tenen what was rightfully won in a court of law. I have no stake here one way or the other.

Love, Pam

-----------------------------Truth is stranger than fiction.

dan winter's picture
Member since:
20 May 2006
Last activity:
9 years 9 weeks

tenen-the whimpering buffoon... lost his temporary free zealot lawyer, now having trouble selling his piece of jewelry..

dan winter

online at

earthling's picture
Member since:
22 November 2004
Last activity:
3 hours 27 min

perhaps this legal dispute detail about the website is why Dan Winter dumped all this stuff here? To park it until he can have a new website?

I need a new signature line