Among the treasures found when Pharaoh Tutankhamun's tomb was opened in 1923 were two ornate trumpets, one made of silver and the other of bronze. In 1939, BBC radio broadcast the sound of the trumpets to listeners around the world. And, thanks to the internet, now you can too. Hopefully their sound doesn't summon up any ancient Egyptian demons to enact foul curses upon those listening. Hey, wait a minute, BBC broadcast the sound in 1939...
Our good friend Graham Hancock is currently 'periscope down' in writer's terms, submerged in the first stages of writing the 'sequel' to his massive bestseller Fingerprints of the Gods, currently under the working title of Magicians of the Gods. As an early piece of provocation, however, he's released the short video below showing him submerged in a different way - at strange underwater sites that some have suggested were shaped by human hands, and which were above water during the last Ice Age.
Whether they are natural or man-made, one thing is certain - these are spectacular dive sites. For those who might want to dive them one day, the locations featured in the video are: Kerama (Aka Jima), Yonaguni, Chatan and Aguni.
Natural or man-made? You decide. (Point of information. Sea level rose just over 120 metres - 400 feet - at the end of the last Ice Age. All the structures seen here would have been above water until about 12,000 years ago).
It is often rightly said that the birthplace of science is ancient Greece. Our best and brightest minds today are said to be standing on the shoulders of giants. That’s usually a nod to the humbled genius of Sir Isaac Newton who uttered something similar in a letter to Robert Hooke in 1676. Though we all know Newton was not of the humble sort.
That famous phrase, which now adorns the cover of Stephen Hawking’s anthology of classical science papers, is correctly attributed to Bernard of Chartres, a French philosopher and genius in his own right:
“We are like dwarves perched on the shoulders of giants, and thus we are able to see more and farther than the latter. And this is not at all because of the acuteness of our sight or the stature of our body, but because we are carried aloft and elevated by the magnitude of the giants.”
One can certainly see why this sentiment has been adopted by those wishing to give credit (or some credit) to their predecessors. And when it comes to the knowledge we have in the realm of science, it cannot be denied that much of it is due to the incredible insights of the classical Greek Masters. Those masters, it seems, actually worked out more about the world in which we live, than most are currently aware.
There’s a cup, currently on display at the Lamia Archaeological Museum in Greece. It’s not an ordinary cup by modern standards, but it wasn’t really thought to be all that special either. It’s just an ancient, two-handled wine cup with stylized animals artfully dancing around its surface. Of course, it has historic value, it is roughly 2,600 years old after all, but there are better examples of Greek pottery on display in that same museum.
This thinking has just taken a drastic detour though…
This cup, the style of which is known as a skyphos, is currently being studied with great interest, as a possible origin, or at least one of the first known stellar calendars. Up until recently, this particular cup was thought to depict simple, random animals frolicking around the rim, but new analysis by John Barnes, a classical archaeology doctoral candidate at the University of Missouri, suggests that it may in fact be much more than that.
Barnes recently spoke with Live Science magazine and offered an enticing look at his research. He says that the animals seen on this cup are actually fairly accurate depictions of constellations, showing a progression over the period of perhaps an entire year. According to Barnes, it’s unlikely to be an actual star chart or celestial calendar, and is probably more of an attempt to represent time in a more general way, using constellations as the foundation.
This is perhaps not immediately as impressive to you as it is to others, since we’ve long thought the Greeks famous for their celestial knowledge base, and in fact most of today’s known constellations were named in the classical Greek period. If correct in his conclusions, which have been published in the science journal Hesperia, Barnes claims that the impact would be revolutionary, simply because it may mean that many other examples of pottery and Greek art that have previously been thought to have only random or simple stylizations, are in fact examples of the earliest star charts in the history of mankind.
"If we go back and re-evaluate other animal scenes that might have been originally categorized as hunting scenes or animal friezes, then maybe we can find more [depictions of constellations] and get a greater understanding of how the ancient Greeks viewed the night sky," Barnes told Live Science.
This is an incredible insight, but in light of other recent realisations about Ancient Greek artefacts, it brings an even larger issue further into focus.
A study recently conducted by researchers from the National University of Quilmes (Argentina), has caused quite a stir in the archaeological, historical, and fringe science circles. This study focuses on the origin and construction of the famed Antykithera Mechanism.
Called, by some, the first computer in existence, the Antykithera Mechanism is an enigma. First found in an ocean wreck off the coast of the small island of Antykithera (hence the name), it sat unexamined in a drawer in the same museum in which the above skyphos is on display. No one had any idea how important this strange artefact is to our understanding of history.
Once it was rediscovered – so to speak – and analysis began, researchers found that it is in fact a highly complex machine, with gears and dials and delicate inscriptions that seem to match up with star alignments. This led everyone (or nearly everyone) to believe that it’s an ancient sextant or star map. The problem is that it’s been dated, through radiometric decay measurements, to have originated around 100-150 BCE. That, in and of itself, was a problem, as it was believed that no one of that era could have conceived of, much less built such a device.
The idea that it had some purpose related to using the stars for navigation at sea, has slowly come to be accepted as fact, or as close to fact as we can get. Until, that is, this new research threw all the accepted knowledge out the window.
The Argentinian researchers have been scouring the device for clues as to its origin and age, and they struck upon an incredible bit of information. It seems that a dial on the back of the artefact contains an inscription that clearly corresponds to a solar eclipse that we know happened on May 12, 205 BCE, easily 100 years earlier than previously thought possible. That alone tells us that whoever made it had not only the technical skill to create something so mechanically advanced that nothing like it was seen for at least another 500-1000 years, but they also had celestial knowledge that is far more advanced than anything known in the the entirety of Greek antiquity.
Unless, of course, we consider John Barnes ideas about the skyphos. When we do that, it seems plausible that what we think we know about Greek celestial knowledge amounts to jack…well you know.
These findings, both of which are still under a great deal of scrutiny, could ultimately lead to a complete reorganising of our understanding of not only what the Greeks knew, but when they knew it and what they did with it.
Exciting things are on the horizon.
 Barnes, John T. Asteras Eipein: An Archaic View of the Constellations from Halai. Hesperia (2014), Volume 83, Issue 2. Page(s): 257-276 http://www.jstor.org/stable/10.2972/hesperia.83.2.0257
 Carman, Christián C.; Evans, James. On the epoch of the Antikythera mechanism and its eclipse predictor. Archive for History of Exact Sciences November 2014, Volume 68, Issue 6, pp 693-774 http://link.springer.com/article/10.1007/s00407-014-0145-5
After analysing a collection of 166 freshwater mussel shells found at Trinil, on the banks of the Bengawan Solo river in East Java - the site of the famous 'Java Man' find in 1886, researchers have come to a stunning conclusion:
Using an electron microscope, scientists found a zigzag set of grooves incised into one shell. The marks push back the date for the earliest known geometric engravings by our ancestors by at least 300,000 years.
According to one of the researchers, Wil Roebroeks of Lieden University in The Netherlands, "the simple zigzag on the shell is the earliest engraving known thus far in the history of humankind. But: we have no clue why somebody made it half a million years ago, and we explicitly refrain from speculating on it" in terms of art or symbolism".
Looking for a better understanding of ancient pyramids? Be sure to consult this handy pie chart for all you need to know...
The above image, of the “Hajjar al-Hibla” (Stone of the Pregnant Woman) in the quarry at Baalbek, Lebanon, is one of my favourite historical pictures ever. The massive monolith has widely been regarded as the heaviest stone block ever cut by humans, with an estimated weight of around 1250 tons.
Little did we know, however, that a bigger monolith lurked nearby. In fact, right beside it. Archaeologists have excavated another block beside the Hajjar al-Hibla, that dwarfs it, clocking in at an almost unimaginable 1650 tons:
Below the “Hajjar al-Hibla” and directly beside of it, there is another megalithic stone block, even bigger than the first one: it measures ca. 19,60x6x5,5m. In order to determine the exact height, the trenches should be extended in one of the next archaeological expeditions at the site. The second block weighs 1,650 tons. Archaeologists concluded that the block was meant to be transported without being cut. This means, that it is the biggest known ancient stone block.
And here it is, lying to the immediate right of its more well-known sibling.
Is the Phaistos Disc an homage to motherhood? Academia is undecided.
Discovered in 1908 in the Minoan Palace-site dedicated to Phaistos – a Minoan deity – by Italian archaeologist Luigi Pernier, the Phaistos disc has been an enigma for more than 100 years. Oft written about, rarely understood, never truly deciphered, the Phaistos disc is a remnant of a civilisation long dead, a civilisation connected most intimately to classical Greece, and possibly even…Atlantis.
There are those who believe, with some credibility, that the great Atlantean society was in fact the Minoan peoples situated on the volcanic islands of Santorini and Crete. Some researchers claim that the massive volcanic eruption centered in Santorini’s Thera, was the very same cataclysmic event described in Plato’s Criteas and Timeas, the event which caused the demise of the so-called island of Atlantis. Details are scant, of course, since all of the modern conjecture about Atlantis is based on best guesses and ancient legends, but of the many Atlantis theories, the Minoan eruption theory is among the more believable.
Of course, all of that is moot, as it pertains to the Phaistos Disc, if we cannot understand what it says, and thus far we cannot.
The Phaistos Disc, much like other linguistic puzzles – such as the Voynich Manuscript – has been the focus of much study and debate, and until recently all theories about its content were on relatively equal footing. To date there have been no less than 23 decipherment attempts, all of which claimed some measure of success. Both linguistic and symbolic interpretations have been put forward, but none has offered any sign of a congruent, predictable language or system of communication…until now.
On October 20 of this year, Associate Director and Erasmus Coordinator of the Technological Education Institute of Crete, Gareth Owens, presented his own findings and theory about the meaning of the cryptic symbols imprinted on either side of the disc. Owens claims to have deciphered most of the symbols and describes it as “the first Minoan CD-ROM featuring a prayer to a mother”. He identifies several words emerging from the symbols, most pertaining to motherhood, and believes that it is an homage to a Minoan deity connected to fertility, pregnancy, and birth.
Owens’ confidence in his interpretation, which was a joint effort in conjunction with linguist and Professor of Phonetics at Oxford, Dr. John Coleman, lead him to claim that the Phaistos Disc can now be used as a Rosetta Stone for the ancient Minoan language.
Though, as with any ancient artifact of this nature, his theory isn’t accepted by all. Researcher and expert on symbolism and ancient language traditions, and author of the book The Decipherment of the Phaistos Disc, Dilip Rajeev disagrees with Owens, calling his interpretation “implausible”.
The basis for this objection is in the assertion that the disc is not an alphabetic text, as Owen’s suggests, but is instead decipherable as a body of symbolic text, similar to traditional Chinese kanji. The difference, according to Rajeev, is that symbolic characters depend on association with other characters to derive meaning. For instance, when one symbol appears on its own, it can have a particular meaning, but when paired with other symbols that meaning changes, sometimes drastically. In alphabetical texts, such associations are much less important.
When viewed this way, Owens’ interpretation of the disc is certainly called into question. Though we’ve all heard these claims and counter claims before. You’ll recall that the enigmatic Voynich Manuscript has been thought solved several times too, though in each case, as with Phaistos Disc, the claims are inevitably marred by competing theories and minor details in disagreement with each other. It may be that these artefacts are truly indecipherable, after all, they’ve held their secrets this long. No doubt though, researchers will continue to chip away at the meaning behind the symbols, and may, eventually, provide us with definitive explanations for these mysteries.
Late last year we covered the story of two German 'amateur archaeologists' who had chipped some stone off the wall in the relieving chambers of the Great Pyramid of Khufu, with the goal of dating it to see if the orthodox timeline for the pyramid's construction held up. I noted at the time that despite their lack of credentials, the pair seemed to have official permission to do some research within the pyramid, and that heads might roll as a result.
Fast forward a year, and that is exactly what has happened:
An Egyptian court sentenced three Germans and six Egyptians to five years jail on Tuesday for stealing fragments of a pharaonic artifact from Cairo's Great Pyramid, a judicial source said.
A court in Giza, south of the capital, sentenced in absentia three Germans -- who had claimed they were researchers -- for stealing pieces of an ancient scroll bearing the name of the Pharaoh Khufu, as well as rock samples, the source said.
Six Egyptians, including three employees of the antiquities ministry, two pyramid guards and the director of a travel agency, were also jailed for five years for aiding the robbery, the source said.
I'm not sure what this "ancient scroll bearing the name of Khufu" is though - unless there is some confusion and they are referring to Khufu's name being written on the stone wall of the relieving chamber.
And the rolling heads may get bigger in the near future as well, with Zahi Hawass now under investigation over claims he helped the German vandals.
Macedonia is a place with a complicated history. Like many countries in that region of Europe, it has been settled, invaded, conquered, and fought over for thousands of years. It has been a subject of Greece, the Roman Empire, the Ottoman Empire and a sovereign state known as the Republic of Macedonia. It has been part of the Kingdom of Serbia (also the Kingdom of Serbs, Croats and Slovenes), then it became part of the Kingdom of Yugoslavia. And then the Nazis happened, and then the Communists, and then independence. There’s hardly been a time when the region wasn’t undergoing change, politically.
Its tumultuous history notwithstanding, Macedonia is a gem bordered by Kosovo, Serbia, Bulgaria, Greece, and Albania. Today it boasts picturesque and sleepy little mountain towns, world class Slavic architecture, and living museums, like the city of Kratovo which finds itself situated inside the crater of an extinct volcano.
Very near Kratovo in the north east of Macedonia, there’s a small town called Kuklica, and that town has a story to tell.
Kuklica is a small town, housing no more than about 100 inhabitants. At least, 100 living inhabitants. For you see, according to some, Kuklica is the unchanging resting place of either a man who tried to marry two women on the same day, or many fallen soldiers; all of whom turned to stone.
Most famously, locals tell of a man who fell in love with two different women and was faced with the difficult choice of deciding which to marry. According to the legend, he was unable to make the choice and instead decided to marry both women…on the same day. He planned the wedding ceremonies in a beautiful meadow, one to occur in the morning, the other in the afternoon. Unfortunately for all involved, during the first wedding, his second bride-to-be happened upon the first ceremony and, as would be expected, she objected to that particular union most adamantly. Hell hath no fury like a woman scorned, however, and in her rage she cursed everyone in attendance, casting them all into stone.
The other legend, somewhat less grandiose, suggests that the war-ravaged area, turned to wasteland, was prone to extreme cold, whereupon any and all soldiers travelling across the wastes were frozen and became of stone.
All of these formations or pillars – which number somewhere around 120 distinct examples, some of which bear an uncanny resemblance to the human form – are on average the size of an adult human, some are pillar shaped (hence the notion that they’re people turned to stone) but many are simple near-pyramid shaped mounds.
You may choose to believe whichever one of those explanations as you want, and there are apparently other local legends to consider as well, but there are explanations that don’t invoke people turning to stone.
The stone dolls of Kuklica, as they’re often called, are known in geological circles as earth pyramids, or earth pillars (you’ll note the conspicuous absence of any reference to human origins). It is largely believed by experts that they are the product of natural erosion – and the more conspiratorial among us roll our eyes on cue.
As mentioned above, Kratovo, the nearest city of any size, is built on top of a long-dead volcano. In fact, the entire region was at one time part of a large volcanic system. Most of the rock in the area is tuff (solidified ash) and volcanic rock, both of which are relatively soft. But there are deposits of harder, older rock, such as andesite, and therein lays the explanation for the stone dolls.
According to Dr. Ivica Milevski, Associate Professor at the Institute of Geology, Faculty of Natural Science and Mathematics at the University "St. Cyril and Methodius" in Skopje, Macedonia, the earth pyramids are the result of a combination of wind and water erosion over thousands of years. He claims that the soft volcanic tuff is washed away at a much faster rate than the harder andesite underneath it, resulting in periodic mounds and pillars of harder rock remaining while the sediment is washed away.
It’s thought that this same process is responsible for the Manpupuner Rock formation in the Russian Urals (also known as the Seven Strong Men of Russia), though on a larger scale.
Of course, the scientific explanation, as always, is much more mundane than the colourful legends of old, but there’s no harm in imagining that the groom’s wedding guests are wishing they’d declined the invitation.
 Milevski I. (2000): Earth pyramids in Kuklica-near Kratovo. Geographical review No. 35, Skopje pp. 177-182 (in Macedonian) http://www.kuklica.50webs.com/?ItemID=C42D791DE738E046B3C544C635663B57&5FB5C74C1F31C34FBFF2F9FF7585D1AF=5,first
A massive 275m-wide geoglyph found in the Ural Mountains predates the famous Nazca Lines by thousands of years, archaeologists have found. The giant moose-shaped structure was 'accidentally' discovered just three years ago by local researcher Alexander Shestakov while looking at satellite images of the area in Google Earth.
Initial fieldwork found simple techniques were used to create the moose, with turf and earth 10-metres-wide dug out to make its shape before being filled with stones. 'The figure would initially have looked white and slightly shiny against the green grass background,' he said.
Different methods were deloyed to make the various parts of the geoglyph; for instance, a mix of clay and crushed stone was used to make the hooves. When part of the hind leg was excavated, archaeologists found the largest stones were on the edges, with the smaller ones inside. While there are similarities to the world famous Nazca Lines, in Peru, and to geoglyphs in England - such as the White Horse in Oxfordshire or the Dorset Giant - the experts believe there are no links.
...Yet archeologists still cannot fathom the identity of their sophisticated social group who worked in the massive operation of constructing structure visible from space.
'Facts say that on this territory in the Neolithic and Eneolithic Ages lived hunters and fishermen. We conducted archaeological works on the site of a settlement nearby, on the lake shore, on the assumption that the builders of the geoglyph might live there. People have lived here since the Neolithic era but there was no sign of large social structures, nor that they did anything other than hunting and fishing', Stanislav Grigoryev said.
'It puzzles me a lot, I keep thinking about the people that built the geoglyph, and their purpose'.