The Hills are going to Hollywood. Variety reported last week that Bryce Zabel --producer of the TV series Dark Skies-- and his wife Jackie --who wrote the story for Disney's Atlantis-- are teaming up with Gotham/Principal to bring one of the most famous alien abduction cases to the silver screen.
The movie will be based on the book 'Captured!' [Amazon US & UK] co-written by Stanton Friedman and Kathleen Marden, the niece of the late Betty Hill, who had an alleged encounter with humanoid entities along with her recently-wed husband Barney; the beings took them aboard a wingless, circular craft to perform a series of medical procedures on them, on the night of September 19th. 1961.
Producers plan to make the film in a context of both Cold War paranoia and the country’s struggle over race relations.
“Captured is a true story that explores the birth of modern UFO lore through the eyes of the first Americans to report that they were kidnapped by aliens,” said Eric Robinson, who will also produce the film on behalf of Gotham/Principal. “This is an exciting story that is as intriguing, timely and ripe for adaptation today as it was 54 years ago when this incident occurred.”
Stellar CEO Jackie Zabel said the Hills were unique in a number of aspects.
“They were an interracial couple in a country that still had segregation laws, and they lived in a city that was next door to a bomber base bristling with nuclear weapons,” she noted. “What they knew and why they were targeted will make for a phenomenal film.”
Not only is the Hills case the first documented example of what would be later known as the 'alien abduction' phenomenon, but it has also been one of the most heavily debated. All sorts of theories and hypotheses have been proposed by people on both sides of the UFO camp to explain the incredible account of this interracial couple; from notable skeptic Philip Klass claiming the Hills were spooked by the planet Jupiter, to pro-UFO researchers speculating on whether they might have been the subject of some kind of military experiment --Betty and Barney had members of the Air Force among their closest friends, and it was in fact one of them who suggested the Hills the use of hypnotic regression as a way to solve the problem of the 'missing time' they experienced during the night of the UFO sighting, which had been causing a lot of anxiety on the distressed couple.
But what both skeptics and believers seem to be in agreement, is that the Hills were *not* charlatans or attention seekers; they were two honest, hard-working people who were reluctantly driven to worldwide fame after their story was leaked to the press, and were telling the truth as they perceived it. Dr. Benjamin Simon, the psychiatrist and hypnosis expert who treated them --who also had connections with the Army-- believed the story that emerged in the sessions was the result of Betty's dreams, which had ended up influencing Barney's recollections. The Hills never accepted that theory, and were adamant they had been physically taken inside a circular craft while under the influence of some type of mind control --here's important to remember a large portion of the experience was consciously recalled by the Hills, including the several times Barney stopped the car to take a look at the object in the sky which seemed to be following them and getting nearer, and how he used his binoculars to observe humanoid figures clad in black Nazi-like 'uniforms', who seemed to be observing him inside the craft with a malevolent expression.
This new project will not be the first time the Hills case has been dramatized into a movie, though. In 1975 James Earl Jones and Estelle Parsons starred in the TV film The UFO Incident, based on John G. Fuller's book The Interrupted Journey. As a movie fan I can only say it will be tough to surpass James Earl Jones' masterful performance, especially in the scene in which Barney is in Dr. Simon's office, hypnotized and re-experiencing the terror he felt that night when he realized they were about to be captured, and suddenly stands as if wanting to storm out of the room while yelling "I gotta get my gun!"; this is in my humble opinion one of the best moments in his acting career.
Considering there's never been a good abduction movie come out of Hollywood studios --Fire in the Sky is passable, but The Fourth Kind is just atrocious-- here's hoping Captured! manages to become the exception. I also hope the Zabels manage to show a glimpse of the high-strangeness which haunted the Hills after their abduction, as portrayed by Marden and Friedman in the book --even though I get the feeling they're not planning to deviate too much from the typical ETH scenario.
We will keep you up to date regarding this story, and inform you when a release date and an official title is announced*
(*) With at least 6 movies bearing the title 'Captured' in IMDB's database --not to mention all the *ahem* gay romance books available on Amazon-- I think it would be wise for the producers to seek a more original name for their new film... how 'bout 'A Star Map for Two'? ;)
The largest UFO organization in the world (MUFON) is mourning the loss of its founder, Walter H. Andrus Jr. (1920-2015).
Born in Des Moines, Iowa, Andrus's life-long interest in UFOs began in 1948, when he along with his wife and son had a daylight sighting of four objects flying in formation over downtown Phoenix, Arizona. He then became a regional officer of APRO, one of the leading UFO organizations in the United States back in the day.
In 1969, one year after the infamous Condon Report had given the Air Force the excuse they needed to end their official involvement in the study of UFOs, Andrus founded the then-called Midwest UFO Network --later renamed Mutual UFO Network-- based out in Seguin, Texas, taking a bunch of APRO members with him along also with disenfranchised members of NICAP --the other major UFO organization in the United States-- after their original founder Major Donald Keyhoe was forced to resign and the group came in the hands of a new leadership. In his two books UFOs and the National Security State [Amazon US & UK]Richard Dolan explains how this internal coup in NICAP seemed to have been orchestrated by the American intelligence community, as a way to finally neutralize a feisty civilian organization which had always protested the official cover-up maintained by the government on the UFO phenomenon. At the same time, APRO was also infiltrated and undermined, most notably when one of his directors --Bill Moore-- become involved with Richard Doty in the disinformation campaign which eventually caused the nervous breakdown of Paul Bennewitz, as described in Greg Bishop's book Project Beta [Amazon US & UK] and Mark Pilkington's Mirage Men.
(Speaking about undercover neutralization of UFO groups, I've always suspected Robert Bigelow's involvement with MUFON, during the time when James Carrion was International Director, was an attempt to repeat the same undermining cycle)
NICAP slowly fizzled and died under the new administration, and APRO didn't survive after the death of its founders, Jim and Coral Lorenzen --who never forgave Andrus for what they considered a personal betrayal after he left and founded MUFON; the same could also be said about Dr. Hynek's CUFOS --even though technically it still exists. Andrus on the other hand, lead his group from 1970 to July of 2000, when he retired from his position as International Director, and was succeeded by John F. Schuessler.
Despite my personal caveats with MUFON for its bias towards the extraterrestrial hypothesis (ETH), one cannot deny Walter Andrus succeeded where his peers clearly did not: Creating a well-established civilian organization robust enough to survive the passing of its original founder(s); an organization with visibility outside the small niche of UFOlogy, comprised of dedicated members and hard-working field investigators, who try (as best they can) to apply a structured methodology when researching a phenomenon which challenges many of the most basic principles of the scientific method.
Here's hoping MUFON --or other organizations rising to the challenge UFOs pose-- will try to learn from the mistakes of the past, embrace new technologies ASWELL as different perspectives, and continue to honor the efforts of those pioneers who dedicated their lives in the search for answers.
Rest in Peace.
Ten years ago the Cassini space probe first discovered mysterious geysers of water erupting from the polar regions of one of Saturn's moons, the ice-covered Enceladus. After much analysis, last year NASA scientists said there was evidence that this water was coming from a sub-surface ocean beneath the pole. But today, they have revised that conclusion - and now believe that there is a global ocean beneath the icy crust of the Saturnian moon.
In a paper published online this week in the journal Icarus, the researchers outline how a very slight wobble in the movement of Enceladus can only be accounted for if the outer, visible ice shell is not frozen solid to the moon's core:
Previous analysis of Cassini data suggested the presence of a lens-shaped body of water, or sea, underlying the moon's south polar region. However, gravity data collected during the spacecraft's several close passes over the south polar region lent support to the possibility the sea might be global. The new results -- derived using an independent line of evidence based on Cassini's images -- confirm this to be the case.
"This was a hard problem that required years of observations, and calculations involving a diverse collection of disciplines, but we are confident we finally got it right," said Peter Thomas, a Cassini imaging team member at Cornell University, Ithaca, New York, and lead author of the paper.
Cassini scientists analyzed more than seven years' worth of images of Enceladus taken by the spacecraft, which has been orbiting Saturn since mid-2004. They carefully mapped the positions of features on Enceladus -- mostly craters -- across hundreds of images, in order to measure changes in the moon's rotation with extreme precision.
As a result, they found Enceladus has a tiny, but measurable wobble as it orbits Saturn. Because the icy moon is not perfectly spherical -- and because it goes slightly faster and slower during different portions of its orbit around Saturn -- the giant planet subtly rocks Enceladus back and forth as it rotates.
The team plugged their measurement of the wobble, called a libration, into different models for how Enceladus might be arranged on the inside, including ones in which the moon was frozen from surface to core.
"If the surface and core were rigidly connected, the core would provide so much dead weight the wobble would be far smaller than we observe it to be," said Matthew Tiscareno, a Cassini participating scientist at the SETI Institute, Mountain View, California, and a co-author of the paper. "This proves that there must be a global layer of liquid separating the surface from the core."
The mystery that remains is how this ocean remains in liquid form, rather than freezing. The researchers think it's possibly due to heat from tidal forces generated by Saturn's massive presence nearby.
And the question that is posed by the discovery is: if there is a massive water ocean beneath the surface of Enceladus, could there be alien life living there, out of sight of our prying eyes?
Cassini will make a super-close flyby of Enceladus in late October, passing a mere 30 miles/50 km above the moon's surface through the icy plumes erupting from within.
Good news everyone! Robbie Graham's long awaited book Silver Screen Saucers: Sorting Fract from Fantasy in Hollywood's UFO Movies is now available. What started out as Robbie's doctoral thesis eventually morphed and was abducted by Destiny itself --see what I did there?-- in order to become one of the most highly anticipated UFO books of this year.
More so than any other medium, cinema has shaped our expectations of potential alien life and visitation. From The Day the Earth Stood Still and Close Encounters of the Third Kind, to Battleship, Prometheus, and beyond, our hopes and fears of alien contact have been fuelled by the silver screen. But what messages does Hollywood impart to us about our possible otherworldly neighbours, from where do UFO movies draw their inspiration, and what other factors – cultural or conspiratorial – might influence their production and content? Silver Screen Saucers is a timely and revealing examination of the interplay between Hollywood’s UFO movies and the UFO phenomenon itself, from 1950 to present day.
The book grants the reader a rare, close-up examination of the DNA that builds our perceptions of the UFO mystery. One strand of this DNA weaves real events, stories, and people from the historical record of UFOlogy, while the other spins and twists with the film and TV products they have inspired. With our alien dreams and nightmares now more fully visualized onscreen than ever before, Silver Screen Saucers asks the question: what does it all mean? Are all UFO stories just fever dreams from LA screenwriters, or are they sprung from something more tangible?
From interviews with screenwriters and directors whose visions have been shaped by their lifelong UFO obsessions; to Presidents talking UFOs with Hollywood heavyweights; to CIA and Pentagon manipulation of UFO-themed productions; to movie stars and producers being stalked by real Men in Black, Silver Screen Saucers provides fresh perspective on the frequently debated but little understood subject of UFOs & Hollywood.
I've been a fan (and a friend) of Robbie for quite a while. To say I can't wait to get my greasy palms on this book is an understatement as big as an ID4 mothership.
But wait, there's more! Robbie, along with his associates Bryce Zabel (producer of the cult TV series Dark Skies) and Ben Hansen (host of Fact or Faked: Paranormal Files) are right now in the middle of developing a TV adaptation of Silver Screen Saucers, and are currently pitching the series to the networks: Here's the sizzle reel:
Here's my 2 centavos, you guys: EFF the Jurassic networks! Pitch the show directly to Amazon. They already are the biggest retailer in the WORLD, so if they were to produce and distribute SSS as a free series, they could entice costumers to purchase those UFO/ET movies they *already* carry (along with the book itself). Win-win, y'all!
(*)Reese's Pieces, smashed potatoes and Neuralizer sold separately
It's like 1995 all over again! Glenn Campbell, the self-proclaimed 'former Area 51 guy' who helped put the infamous secret base on the map thanks to his Groom Lake Desert Rat newsletter, had a recent mano a mano with the private security personnel known fondly as 'the cammo dudes', who are in charge of patrolling the roads and areas surrounding the facility, and are known to threaten those curious onlookers drawn by the Dreamland allure.
The Groom Lake Desert Rat (1994-1997) --to which I was subscribed waaay back when-- documented the legal battle between Lincoln county's residents and the Air Force, when the latter decided to expand the territory of the Nevada test site so curious onlookers would have a harder time snooping around in search of Bob Lazar's 'reverse-engineered' saucers. The newsletter also covered several of the fringe rumors which were sprouting back in those merry days of suspicion, beer nights at the Little A'Le'Inn, and X-Files conspiranoia, including the tale of J-Rod, the alias of an engineer who claimed to have worked in the development of flight simulators intended to train Air Force pilots operate the reverse-engineered flying saucers; the story expanded upon Robert Lazar's previous allegations, but got even more complicated since 'J-Rod' was also the name of one of the Gray aliens collaborating with US government's reverse engineering program --the human J-Rod claimed his alien counterpart was fond of wearing terrestrial shirts; he also said Hungarian was the human language which had the closes resemblance to the Gray's own language, something I'm sure would have flattered Zsa Zsa Gabor a lot...
It was later found J-Rod 2 (the human engineer) was a man by the name of Bill Uhouse, who kept telling his (unverifiable) tales of secret alliances between the government and visitors from Zeta Reticulli to anyone who would listen, until he passed away in 2009.
As for Glenn Campbell, while he had officially withdrawn from the UFO scene and Area 51, the mischievous smirk he gives at the end of his clip tells me he's willing to relive the good ole times!
(If you want to read more stories about the world's most famous secret base, be sure to read Blair MacKenzie Blake's recounting of his own trips to Dreamland, in the 7th volume of Darklore)
The F-35 Lighting II is the latest addition to the USAF's fighter jet arsenal. At around $100million per plane, they don't come cheap (though the US government has ordered around 2500 of them...) - but in the modern world, air superiority is key in warfare, and a large fleet of cutting-edge fighter jets is one way to ensure your military might.
How cutting-edge? One of the new models, the F-35B, will be the first operational jet fighter to be supersonic in speed, able to avoid detection via stealth technologies, but also be capable of short take-offs and vertical landing (STOVL).
Interestingly, a new paper on arXiv ("Avrocar: a real flying saucer") points out that the STOVL capability of the F-35B has its origin in an experimental 'flying saucer' vehicle developed by the USAF more than 50 years ago, the 'Avrocar':
One of the most unusual military V/STOL aircraft programs was the Avro VZ-9 “Avrocar”. Designed to be a real flying saucer, the Avrocar was one of the few V/STOL to be developed in complete secrecy. Despite significant changes in the design, during flight tests, the Avrocar was unable to achieve its objectives, and the program was eventually canceled after an expenditure of 10 million US dollars between 1954 and 1961.
[However] the concept of ground effect produced by a fan at takeoff and landing did not die with the Avrocar. In 1963, Bell Aerospace initiated studies of a landing system for air mattress (ACLS), which was later patented. These studies were directed by the former head of Avrocar project, Desmond T. Conde. The Avrocar also ended up producing the prototype Boeing YC-14 and McDonnell Douglas YC-15. The latter was adopted and evolved into the Boeing C-17 transport, which went into series production. This concept lives today as a key component of Lockheed X-35 Joint Strike Fighter contender.
Here's some video of the Avrocar in action:
What inspired the USAF to explore the 'flying saucer' design of the Avrocar? Did it arise out of the flying saucer craze that was at its height in the 1950s? Or was the design more to do with the circular nature of the fan system?
In any case, we can at least now proudly take off our tin-foil hats, and safely state that the U.S. military's latest jet fighters rely on flying saucer technology...
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I love this cartoon for several reasons: It's funny and pleasing to look at, and once you stop giggling it inadvertently coaxes you to think.
But I also like it because its anonymous author may or may not have been influenced by the musings of one of the best thinkers to arrive in the UFO field in the last 25 years or so: The late Mac Tonnies (20 August 1975 – 22 October 2009).
To say Mac was ahead of his time is an understatement. 10 years before most of the UFO community even knew who Ray Kurzweil was, he was already pondering whether Transhumanism and the Singularity were plausible tools by which to observe the UFO phenomenon from a new, fresh angle. He shared his ideas of UFOs as the potential manifestation of a post-biological intelligence through his blog Posthuman Blues; and after his untimely passing at the age of 34, he was able to reach a larger audience with the posthumous publication of his book The Cryptoterrestrials [Amazon US & UK], which should be required reading to anyone interested in this phenomenon.
[Mac also contributed to the Darklore anthology series with his essay "The Ancients Are Watching", featured on Volume II]
On Friday, September 29th, 2009, Mac published the following post on his blog:
Every few nights I get out my laser pointer and indulge my cats in a frenetic game of "chase." Cats are natural hunters, and they're effectively incapable of not looking at the quickly moving red dot that I project onto the carpet, walls, or any piece of furniture that happens to be in its path.
To my cats, the red dot possesses its own vitality. It exists as a distinct entity. While they may see me holding the pointer, they can't (or won't) be distracted by such things once the button is pressed and the living room is suddenly alive with luminous vermin. So they chase it. And chase it. And, if they get close enough, even take swipes at it -- in which case I make the dot "flee" or disappear in what seems like a concession of defeat (which, of course, only further arouses the cats' predatory curiosity).
All the while I'm controlling the red dot, I'm taking pains to make it behave like something intelligible. Just waving the pointer around the room wouldn't be any fun. So I make it "climb," "jump" and scuttle when cornered -- even though the laser's impervious to obstructions.
This sense of physicality seems to be the element that makes chasing the laser so engaging -- both for the cats and for me.
I can't help but be reminded of our continuing search for assumed extraterrestrial vehicles. UFO sightings demonstrate many of the same aspects of a typical feline laser hunt: mysterious disappearances, "impossible" maneuvers and a predilection for trickery -- the apparent desire to be seen despite (or because of) a technology presumed to be far in advance of our own. More than one UFO researcher has noted that UFOs behave more like projections or holograms than nuts-and-bolts craft . . . an observation that begs the nature of the intelligence doing the projecting.
According to astrophysicist Jacques Vallee, UFOs are part of a psychosocial conditioning system by which perceived "rewards" are doled out to reconcile for the dearth of irrefutable physical evidence. The phenomenon -- whatever its ultimate nature -- obstinately denies itself, thus enabling the very game it's intent on playing with us.
We see that sudden spark of red light; we pounce. This time we'll catch it for sure.
A couple of days ago, when I found the cartoon online --with Spanish subtitles, actually!-- I immediately sent it to Mike Clelland, for I knew he of all people would appreciate it. Not only was Mike a good friend of Mac Tonnies' (and ended up illustrating The Cryptoterrestrials as a final favor to him) but he himself wrote a very similar post as a way to inaugurate his own blog, Hidden Experience; the major difference between both writings being that Mike used a piece of string as a metaphor for the UFO, while Mac --ever the tecnophile-- opted for the more sophisticated laser pointer to play with his cats Ebe and Spooky --the best names for a UFOlogist's pet as far as I'm concerned.
Even more interesting still, it seems there was only a month of difference between Mac's 'laser pointer' post on Posthuman Blues, and Mike's 'cat string' post on Hidden Experience; which should make anyone wonder whether this 'crypto-intelligence' which likes to interact with us from time to time through flashy aerial manifestations, also employs other 'toys' to get our attention --like synchronicities for example.
Which brings us back to the cartoon: Was the author aware of Mac's work? Did he listen to some of his interviews available online? Or was he 'inspired' to come up with the laser pointer gag through other channels? How can be so sure that our thoughts are exclusively our own?
Whichever the case, I hope Mac managed to get a good chuckle out of this, wherever he is right now.
Mac stepping Outside. Artwork by Mike Clelland.
Here's your daily dose of awe: the centre of the Milky Way hanging over Uluru, in Central Australia.
The central regions of our Milky Way Galaxy rise above Uluru/Ayers Rock in this striking night skyscape. Recorded on July 13, a faint airglow along the horizon shows off central Australia's most recognizable landform in silhouette. Of course the Milky Way's own cosmic dust clouds appear in silhouette too, dark rifts along the galaxy's faint congeries of stars. Above the central bulge, rivers of cosmic dust converge on a bright yellowish supergiant star Antares. Left of Antares, wandering Saturn shines in the night.
Here's your daily dose of weird: Almost four decades ago a strange photograph was taken of Mars by the Viking 1 space probe, which appeared to show a massive humanoid-looking face carved into the Red Planet's landscape, staring back at the orbiter's lens. The so-called 'Face on Mars' would go on to become a fixture in theories about extraterrestrial alien life, though later more high-resolution photographs of the region had NASA dashing thoughts of it being an artificial creation.
Interestingly though, the idea of a 'Face on Mars' was already present in popular culture, through a 1959 comic book illustrated by the great Jack Kirby - 17 years before the Viking photograph. And the weirdness doesn't end there - see this fun article at the Secret Sun blog to go right down the rabbit hole...
Digg has put together a super-cut of some of the most well-known movie extraterrestrials in 'The History of Aliens on Film', with Radiohead's "Subterranean Homesick Alien" as the soundtrack:
From their earliest cinematic appearance in Georges Méliès's "A Trip to the Moon" in 1902, our conception of life beyond Earth has changed to reflect our hopes and fears, the technology we've mastered, and our growing knowledge of the universe. Watch our depictions of extraterrestrial life change over nearly 100 films and 112 years.
Would have been nice if some of the cuts were a bit longer...bit hard to keep up at times. Any of your favourites not in there?
I enjoyed noting that some of the depictions matched reasonably closely with this half-facetious 'History of Science Fiction' graphic (posted by @neverjessie):