The symbolic components of mass public rituals like Sandy Hook are easier to understand if you have knowledge of their precedents which have been deciphered in great detail already. The 911 false flag operation was loaded with occult symbols and "operators." Eventually Sandy Hook will be deciphered as thoroughly.
The Most Dangerous Book in the World: 9/11 as Mass Ritual
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5.0 out of 5 stars Decoding Reality October 24, 2012
By Carol Liane Brouillet
By now the official conspiracy theory has been discredited; even the heads of the 9/11 Commission acknowledge its inadequacy and how frustrated they were by the repeated misstatements (lies) by Pentagon and Federal Aviation Administration officials. The failure of the commission to identify those most responsible for the crime requires us to develop a deeper understanding of what happened if we are to avoid an even greater tragedy in the future.
S. K. Bain has bravely ventured into the shadows of black magic, the occult, the language of symbols, mind control, psychological warfare, and special operations that played a role in concocting the narrative that is deeply embedded in contemporary thought and history. He has done so with remarkable humor, wit, rationality and attention to detail. One could project meanings and symbols onto any and every event and subsequently dismiss them as synchronicity, coincidence, or paranoia, but what S. K. Bain has identified is hard to ignore. His book is likely to instill an avid curiosity about the images, symbols and dates that barrage us continually through the mass media. Understanding the code is perhaps our first line of defense against the assaults upon our minds.
Anyone with an innate desire to understand themselves and the world will find a veritable feast in Bain's discoveries. Mind-baffling outrageous crimes have a certain logic, language, and dark humor that repeats itself again and again. If you aren't familiar with Aleister Crowley, you will learn how his writings and philosophy have been embraced and disseminated widely by those who believe that a select few should rule over the masses; Bain spells out how the 9/11 events are an "Ode to Aleister Crowley." Bain's work is a virtual Rosetta Stone, a key to decoding the images and signals that constantly bombard us. Bain modestly acknowledges that he is simply compiling the insights of other writers, thinkers, and researchers who have penetrated the matter in depth.
Bain lays out the occult significance of many of the details of 9/11 in such a way that it becomes obvious that it was orchestrated to terrorize people, while the engineers and architects of the event ended up laughing at those who fell for it. He shows how they have flaunted their power through their control over the media and the official narrative.
Daniel Lerner, author of Psychological Warfare Against Nazi Germany, states, "Before you can make a man do as you say, you must make him believe what you say." While verifying Bain's research, I stumbled across the Vigilant Citizen website [...], which proclaims: "Symbols Rule the World, Not Words Nor Laws."
Places and dates have great meaning in the cultural realm and are amplified by the electronic media, connecting the entire planet via the global news networks. 9/11 was not merely reported in London, Madrid, Bali and India; it was echoed in subsequent "terror attacks."
The second half of Bain's work follows the logic behind 9/11, as well as behind the "terror attacks" of 7/7, into a more speculative realm, the next mega-9/11 ritual, which he fears is scheduled to happen on 12/25/2012 in Phoenix, Arizona.
S. K. Bain writes ironically as he lays out the plot, the details, and the numerological references, symbols, and players in the upcoming drama, including the globally televised prelude at the 2012 Summer Olympics in London leading up to "Black Christmas." Here is an excerpt from the foreword, which is written as if in hindsight:
"If only we had been able to use the occult script from 9/11 to decode their plans sooner, in advance... maybe, just maybe, this might have allowed us to stop their next act of false flag terror. If only..." The nightmare scenario that he lays out, an "unimaginably horrific assault" upon the city of Phoenix and other targets, becomes an immediate justification for martial law and a global religious war.
The first casualty of war is truth. At the core of Sun Tzu's Art of War is the acknowledgement, "All warfare is based on deception." The truth about false flag operations, ritual murders, and other violent acts always threatens the criminals responsible for them--but silence and consent serve to enhance the criminals' aura of immunity and invincibility. Bain offers us tools to increase our own knowledge and power. He invites us to share his quest, to bear the responsibility of reining in those who seem intent upon murder, deception, terror, and war.
To divide, conquer, terrorize, trick, and deceive is emblematic of evil intent. Bain's work gives us the means to lift the veil and see behind the curtain, to reclaim words and symbols that have been corrupted by those committed to controlling every aspect of human life. The book is an invitation to remember what we know, to unite our rational, emotional and spiritual selves, to find courage within, community with others, and to resist and thwart looming rituals upon the horizon. The book should not be read in isolation, but instead shared and discussed as widely as possible.
Peter Levenda warns readers in the prologue that the book will lead us away from the consensus reality, the shared reality of the dominant culture, the state, the church, and the corporate world. Despite their failures to protect us on many fronts, these institutions are familiar. People have adapted to living within their realms, and they accept pervasive symbols at face value. Our shared cultural metaphors and stories have shaped our lives; discovering new meanings to historical events and revered symbols can be profoundly disturbing. Having warned us of the challenges inherent in looking beyond the veil of consensus reality, Levenda tells us in the prologue to Part II that "This has nothing to do with Mayan prophecy or Biblical millennialism, which are only window -dressing for the actual event. It has everything to do with political events as mega-rituals, and with the conscious application of ritual technology to the manipulation of mass psychology... This is not a book for the nervous."
The book's cover is daunting; it is written for courageous souls who seek to discover "what is real" and who can find strength and energy in knowledge despite the challenges and responsibilities that understanding imposes"