Hi all further absolute proof (if it was really needed) that Giza is all about circles and Pi and the closest large circles I can think of are the planets.
Observe a new website of mine:
in the doco "revelations of the pyramids", there is a lot of detail of the circles of the GP. Apparently there also is the speed of light encoded in there as well. Is your cubit .5236m ? Also the golden number is calculated everywhere in and out of the GP. It would appear the builders new of the meter in the construction. Very interesting. Great web site too...
"Life can be whatever you want it to be, as long as you do what your told."
The cubit I use is 20.618033988 inches or 20.Phi
This translates to .5236981 meters
There is also the speed of sound at Giza as well as this posting of mine at The Graham Hancock Message Board shows. http://www.grahamhancock.com/phorum/read...
More discoveries at Giza:
thanks Don, now as you guys keep finding more encoded in the GP, how about some theories why this my be. Obviously it's not to show us what they are as we would not of known had we not known them. So, these are encoded for us to find when we have reached a certain understanding of the world around us. Now we have much of this understanding and are finding these encoded messages, what do you feel this all means?
Enjoy and comments welcomed
These ratios are not necessarily engineered for any one from the future to "discover." They may simply be an understanding that certain harmonies in architecture produce greater harmony in general.
there are too many to be put down to coincidence.....
yes, i'm of the opinion this was how ancient designers in Egypt did it. it was just the sacred design systems of their day.
pi is referenced throughout Giza and in the slope angles of other pyramids. it can be maintained that pi ratios (and there are various forms they could have used) were considered sacred and important to imbue within architectural design. i believe this is the mason's secret. for the Egyptians the seked of 5.5 palms proved to be a metrological serendipity as this produces the 11:14 ratio for the calculation of a pi approximation of 3 1/7. they had many pi-like (and easily fractional) approximations they used and encoded in design. phi/Phi is a whole other problem, it's not an easy Egyptian fraction- it's 618/1000. the closest ratio is 5:8 (13 parts divided between 5 parts and 8 parts)which is .625 (5:8 is Khafre Pyramid). this is closest to phi one can achieve using an easy proportion. 5:8 is also the golden ratio employed by artists through the centuries.
As I have become more and more interactive with stone and crystal energies I am getting some insight into how it must have been for earlier man to get very observant about matter and its configurations. This is not merely aesthetic. It is a question of different stases for the body. Any large stone monument puts out a lot of energy against which the body is highlighted and in which the body basks. If you are not paying attention or don't know how to then this aspect will escape you.
i grew up totally loving stone & crystal...i slept in rooms with crystals and rocks of all sorts...so of course my power has to be contained *waggles eyebrows*
my favourite is Wulfenite.
have you got any favourites?
All that lives is holy, life delights in life.
It varies in time. Most crystal heads go through phases as they absorb one particular vibration and then move on to another. At the moment I am into charoite among others with a nascent feeling for ajoite beginning to reemerge. I was very much into ajoite years ago but finally absorbed it so much that I could not feel it anymore. After a 3 year hiatus I am back into ajoite - an amazing feeling stone and unfortunately expensive too. I make many, many necklaces of different stones, so I am trying on different things daily just to see what is clicking. After getting in orgonite I am also experimenting with various stones as additives to that material.
TDG09 theme is based on the original design by Michael Hutagalung. DG logo "icon" courtesy of @GrailSeeker.